Undoubtedly one of the best of the Shōwa period of Godzilla films, Mothra vs. Godzilla features the return of the Shobijin along with Mothra herself. Akira Ifukube’s scoring is tremendous and vivid, and Emi and Yumi Itō sing this melancholic, gentle tune he composed for the film.

Although far eclipsed by the popularity of the iconic Mothra’s Song, the haunting melody of this piece has stuck with me since childhood.

Although Godzilla will always be my favorite giant Japanese monster, Mothra is a close second and a very different sort of character. Whereas Godzilla has alternatively played the roles of villain, antihero, hero, and “a force of nature”, Mothra has been pretty consistently depicted as a benign and protective heroine.

She’s worshiped as a goddess, and that divine air is evoked beautifully with her iconic song. A song that is, in fact, a prayer sung to her in Malay in the original movie. There’s something mythically powerful about that, as it is a plea to a higher power:

Mosura ya Mosura

Mothra oh Mothra

Dongan kasakuyan indo muu

With the Power of your Ancestor

Rusuto uiraandoa, hanba hanbamuyan, randa banunradan

Grant the prayer of your followers, Arise and

Tounjukanraa

Show

Kasaku yaanmu

Your power

First performed by Yumi and Emi Ito —a singing duo known as “The Peanuts” who play the roles of the Shobijin or “little beauties” in the 1961 film— The twin, doll-sized Shobijin fairies are another layer of Mothra’s mystique. She rarely makes an appearance without them, and the fairy (or at least, fairy-like) nature of the twins adds a feeling of both the unknown and the fantastic.

The tune has become inseparable from the character of Mothra ever since. To me, it taught a lesson at a young age that took until adulthood to put into words. What it taught me was that when times are dire and we need to beseech the divine, we must do so from an emotive place, not a logical one.

To that end, I’ve figuratively sung out to Mothra on some pretty dark days.

She listens.